Honest, first-hand reviews of London shows, plus the most comprehensive review roundups around: every critic's verdict in one place, updated as new reviews land.
The reviews are in for Evgeny Titov’s new production of Parsifal, which opened at the Royal Opera House on 1 October with the company’s music director, Jakub Hrůša, in the pit.
The reviews are in for Pastoral, the hour-long piece that Pam Tanowitz and her New York company brought to the Barbican Theatre for its UK premiere on 1 October.
The touring revival of Barnum has reached the New Wimbledon Theatre, and the London reviews are in. This is the Watermill Theatre production, directed by Jonathan O’Boyle with choreography by Oti Mabuse, now out on the…
The reviews are in for Who’s Afraid of Virginia Woolf?, Marianne Elliott’s in-the-round revival of Edward Albee’s 1962 marriage-as-bloodsport, with Gillian Anderson and Billy Crudup as Martha and George and Josh Dylan…
The notices for Animal Farm: As Witnessed by Moses the Raven are kinder to the performer than to the production.
The reviews are in for Jerker, Robert Chesley’s 1986 two-hander, which has opened at Waterloo East Theatre in a production marking the play’s 40th anniversary.
The reviews are in for Hay Fever, Emily Burns’s revival of Noël Coward’s 1924 comedy, in which a family of incorrigible show-offs invite four guests for a country weekend and then make their lives a misery.
The notices for I’ll Be Seeing You are split, and the split runs through the play rather than through its star.
The reviews are in for Murder Before Evensong, the world premiere stage version of the Reverend Richard Coles’s bestselling crime novel, which had its press night at the Watermill Theatre in Newbury on Tuesday 29…
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
